The only other good guys who go shaven are badass Anti Heroes, so if a hero shaves his head as part of an Important Haircut or a Traumatic Haircut, it is a sure sign he's about to get Darker and Edgier. Whatever the original reason, Hair Hates Evil, and about the only times you'll see a kind and moral character without his (or her) hair will be when it's an egg-headed smart guy (who's probably also in a wheelchair), the Littlest Cancer Patient, and some versions of Bald Mystic, Bald of Authority, and Bald Head of Toughness. Somehow, that didn't stop the very bald Patrick Stewart from being called "The Sexiest Man on TV" in 1992.Ī very specific villain stereotype that provides an example of this is the shaven-headed racist or neo-Nazi skinhead.Īnother possible explanation is that narrowing the silhouette of the top of the head visually emphasizes the jaw and teeth, making the character look "brutish". As a matter of fact, in ancient Rome, baldness was considered a gross deformity. This might be a throwback to ancient belief in hair as a symbol of health and virility, as exemplified by the Biblical story of Samson it may also be more primal still, as a shaven head more closely resembles a skull and, combined with the natural tendency for us to lose our hair as we grow old, is therefore symbolic of aging and death. Where the hero has his flowing golden locks or a boyish, tousled mop of red or brown hair to indicate his youthful purity, something about the complete absence of hair makes a bald villain look particularly nefarious, especially while he's slouched on his throne, steepling his fingers and delivering a Breaking Lecture while the ominous backlight shines off his gleaming chrome-dome. However, it is most commonly applied to the Evil Chancellor, Mad Scientist and the Evil Old Folks.
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It might be the Corrupt Corporate Executive in a political thriller, the sinister evil sorcerer, unholy priest, cult leader, or Evil Overlord in sword-and-sorcery, or a thuggish Giant Mook readying to crack the hero in two. Many, many villains are recognised as such by the audience by their shiny, shaven noggins. Every frame in this expansive volume is touched with Schoeller’s distinctive flare for creating meticulously realized worlds-and confirm that he’s a talent that consistently resets the limits of photographic portraiture.In fiction, baldness often equates with lack of moral fortitude. While ‘Portraits’ will surely thrill devoted fans, it will also attract new admirers with images they’ve noted in top magazines.
Regardless of the subject and setting, Schoeller’s photographs seemingly come to life. Whether portraits of political leaders, Hollywood stars, business entrepeneurs, or contemporary music royalty, these images are as daring as they are exacting, playful, and precise. With an impressive amount of variety and scale, Schoeller shares his signature compositional imagination alongside the wry wit that animates his work.
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The illustrious photographer’s full range of expression is on display in this unprecedented gathering of editorial images. “ Building on the success from his previous titles, Close Up and Identical, Martin Schoeller’s Portraits is cause for celebration.
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